Okay, so we didn’t get an earlier start Thursday morning! In fact, breakfast was more like lunch. Then we had to veer off course to get discount tickets in
From there we walked along the
We checked out the Unilever Series installation in the Turbine Hall--Colombian artist Doris Salcedo’s Shibboleth--which was a huge crack across the length of the concrete floor of the massive Turbine Hall. Now how many museums will go to that extreme for an installation? It was actually pretty cool, even if one doesn’t get all of the symbolism, about the separation of one people from another, one time period from another, or, for the artist, “the crack reveals a colonial and imperial history that has been disregarded, marginalized or simply obliterated… the history of racism, running parallel to the history of modernity and… its untold dark side.” The booklet continues. “Gouging open the very ground that we walk on, Salcedo reminds us that these wounds can not be simply consigned to the past. She encourages us to confront discomforting truths about our world and about ourselves with absolute candidness and without self-deception.” Yes I got it. But only because the booklet told me. So, what I want to know is, are there people who actually get the symbolism and messages in pieces like this WITHOUT having it spelled out for them? I certainly don’t. At any rate, even those visitors who didn’t get it, or didn’t read the literature, seemed to have a good time, following the crack from one end to the other, crossing over it and sometimes straddling it.
We then went up to the fifth and third floors, but couldn’t finish. Katie was having a wonderful time, reliving her college art history classes and would have gladly stayed until closing except that we needed to get back home to eat and to freshen up before the play.
The play was better than I was expecting. The person filling in for Kelly Osborne did a much better job than I think Kelly would have done, and only one character flubbed some lines and let her English accent come through occasionally.
Today (Friday) we did manage to leave fairly early. While Gord was teaching, Katie wanted to see the house we lived in when we were here in 1996, as well as the school she attended during that time. So Katie, Brad, and I took the subway up to Swiss Cottage to our place on
We saw more of the museum today than I have ever done at one time before--we did all of the highlights and then a whole lot more. We saw ancient
So we left there and went over to a hookah bar near
We then made our way home for dinner and now Katie and Brad are out checking out the hip hop scene in Brixton.
I just might post a photo of me using the shisha, but it is in Katie's camera. We'll see.
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